The La Fong Archives


Ms. Eva Mendes, July 2010 Mistress of the Month!

Style is important in a domme. Attitude is vital. Not the snarling, faux-dominatrix domme we’re familiar with. No – an attitude of intelligence, superiority and quiet strength is required. Add to that a generous helping of beauty that is out of a mere man’s reach — and I think we can agree that Eva Mendes in Frank Miller’s “The Spirit” is a powerful female able to command anything she choses.

And so here we are – the Inaugural Mistress of the Month event. Carl La Fong is pleased to present the first Domme to grace the Archives. Ms. Eva Mendes as “Sand Saref”:

Eva Mendes, Mistress of the Month, July 2010

I’ve talked about the La Fong style in several posts. I wonder if you can see from the above still what I mean. Look at the neo-noir lighting. The clean space that somehow feels isolated and separated from  the outside world. Notice the heavy furniture. Notice the hesitant male – about to learn his fate. Note particularly that his posture is slumped – but he is taller and bigger than the woman who confronts him with such ease and confidence. Notice that she ignores the man behind her. Is he her lover? He doesn’t seem submissive enough to be her slave or pet. The scene is instantly intriguing, isn’t it? Note also, if you will, that she is dressed in a way that pleases her. She’s expensive. She has chosen her clothes herself.  She is aware of her femininity, yet dresses to express herself powerfully. She is absolutely not dressing to arouse a man. She is not revealing herself to anyone, yet she is revealed subtly. She commands respect. And obedience.

Eva Mendes, Mistress of the Month, July 2010

You will see from the above still, that the La Fong neo-noir lighting scheme is present. Still the same isolation and separation from the “real” world. But now we have an almost claustrophobic intimacy. The Domme is completely secure and confident in her nudity. The man hesitates by the door. His feet are not firmly planted. He is unsure before this female power. Humbled by her Gynocracy. Her nakedness – her perfect nakedness – promises paradise. But from  her posture it is clear that such delights must be earned. And given only to those who are worthy of it.

I know that some of you may think back to another film, made in the neo-noir comic book style – “Sin City” – and to Rosario Dawson’s portrayal of dominatrix “Gail”. Oh, foolish thoughts. One glance will tell you that brilliant though Ms Dawson is, her dominatrix does not pass the strict La Fong criteria. No, ladies and gentlemen. I give you Mistress of the Month – Ms. Eva Mendes as “Sand Saref”. And if you haven’t seen “The Spirit”, it’s worth it for Ms. Mendes alone.

Eva Mendes, Mistress of the Month, July 2010



Internet Sex Addiction

Christie Brinkley’s divorce from 4th husband Peter Cook got salacious and nasty, with revelations that his use of internet porn got completely out of hand. I guess most men would wonder why anybody married to an internationally renowned beauty like Brinkley would even want to indulge in the old one-handed mouse movement game. And the answer is, of course, he couldn’t stop himself. Somehow, the thrill of internet porn over-whelmed the reality of being married to one of the world’s most beautiful women.

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The La Fong Archives
July 17, 2008, 6:03 pm
Filed under: News | Tags: , , , , , , ,

After almost a decade in retirement, legendary producer Carl La Fong has returned to adult entertainment with his own special brand of Fetish content.

Incredible as it may seem, Carl La Fong began his career as a 12-year-old schoolboy. “I belonged to the school camera club,” he tells us. “It didn’t take me long to figure out I had a eager audience of curious 12-year-olds. I found some girlie magazines, photographed them and made prints that I sold. It didn’t occur to me at the time that I was pirating content!”

La Fong’s real career began in London, where he started out in advertising and television. He found his inspiration in ‘underground’ grindhouse cinemas that screened American and Swedish stag films, and their British equivalents. Harrison Marks, the British Russ Meyer, became La Fong’s role model. “Harrison was a huge influence on me,” says La Fong, “my first pseudonym in the business was ‘Edward Marks’ out of respect for his work”.

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